Creative & Digital

What is the role of communities in stimulating creativity and innovation, particularly in the UK’s rapidly growing creative and digital economies?
 

Digital building heritage

Principal Investigator: Dr Douglas Cawthorne, De Montfort University
From 2014 to 2015

The DBH project is firstly intended to demonstrate digital technologies, techniques and expertise developed and/or used at De Montfort University to local and national heritage groups throughout the UK who are concerned with buildings and their artifacts. It is secondly intended to assist community heritage groups in making collaborative bids with De Montfort University for UK Heritage Lottery Fund grants. Read more

Year of Shakespeare

Principal Investigator: Dr Erin Sullivan (University of Birmingham)
2012

Year of Shakespeare is an innovative digital project documenting the 2012 World Shakespeare Festival, the biggest intercultural Shakespeare festival the world has ever seen. Read more

Rural connective

Principal Investigator: Professor Michael Wilson
From 2011 to 2012

Rural Connective gives attention to the increasing interest to the rural areas and their relation and access to the digital technologies especially in light of such programmes as roll out of superfast broadband in Cornwall. This initiative is specifically interested in growing and extracting cultural and creative capital in rural communities, and in critically investigating those processes. Read more

Preserving Place: A Cultural Mapping Exercise

Principal Investigator: Dr Karen Smyth, University of East Anglia
From 2014 to 2015

The project evaluates processes involved in community choice, use and attitude towards place. What places are community groups interested in preserving? What places do they use to preserve their stories? This project is interested in the narratives behind these choices. Read more

Crowd-sourcing Scoping Study

Principal Investigator: Dr Mark Hedges
2012

This project sought to establish a credible definition for, and the current state of the art of, crowd-sourcing in the humanities. Read more

Know Your Bristol On The Move

Principal Investigator: Professor Robert Bickers
2012

‘Know Your Bristol on the Move’ is a collaborative project between the University of Bristol, Bristol City Council and eight Bristol community groups. We conceive of ‘Bristol communities’ broadly as groupings of Bristol residents that come together around a place, interest, political claim or shared life experience. Read more

Mapping cinema experience as living knowledge across Italy’s generational divide

Principal Investigator: Daniela Treveri Gennari
From 2017 to 2018

This project will create innovative engagement and impact activities with different generations of Italian audiences, building on resources and activities created by the AHRC-funded “Lost Italian Cinema Audiences” project (ICA), 2013-2016. Read more

Historicising and reconnecting rural community: Black presences and the legacies of slavery and colonialism in rural Britain, c.1600-1939

Principal Investigator: Dr Susanne Seymour, School of Geography, University of Nottingham
From 2012 to 2013

The project entitled ‘Historicising and reconnecting rural community: Black presences and the legacies of slavery and colonialism in rural Britain, c.1600-1939’ involved both scoping and outreach activities. It ran from February 2012 to October 2013. Dr Lowri Jones worked with Susanne Seymour on the project. Read more

Community music: history and current practice, its constructions of ‘community’, digital turns and future soundings

Principal Investigator: Prof George McKay (University of Salford)
2011

The UK has been a pivotal national player within the development of community music practice. In the UK community music developed broadly from the 1960s and had a significant burgeoning period in the 1980s. Community music nationally and internationally has gone on to build a set of practices, a repertoire, an infrastructure of organisations, qualifications and career paths. Read more

Creative participation

Principal Investigator: Antonia Layard (University of Birmingham)
From 2011 to 2012

Creative Participation was a project funded by the Arts and Humanities Research Council as part of its Connected Communities programme in 2011-12. The project explored how three ‘pioneer communities’ in Newcastle, Cumbria and Bristol use creativity to involve themselves in place-making and planning practices after initial struggles to have a voice in the process. Read more