Creative & Digital

What is the role of communities in stimulating creativity and innovation, particularly in the UK’s rapidly growing creative and digital economies?
 

Localism and connected neighbourhood planning

Principal Investigator: Phil Jones (University of Birmingham)
2012

The Localism Act, 2011 gives communities the power to set up a Neighbourhood Forum and produce a Neighbourhood Plan for development in their area. Those Forums have relatively little resource to undertake these complex planning exercises. Read more

Co-producing legacy: What is the role of artists within Connected Communities projects?

Principal Investigator: Professor Kate Pahl University of Sheffield
From 2014 to 2015

This research project will explore how artists work within the AHRC Connected Communities programme. The programme has encouraged arts and humanities academics to work in different ways with communities to co-produce research across a range of disciplines. Many academics have worked with artists to realize ideas and help with a community engaged approach to research. Read more

Preserving Place: A Cultural Mapping Exercise

Principal Investigator: Dr Karen Smyth, University of East Anglia
From 2014 to 2015

The project evaluates processes involved in community choice, use and attitude towards place. What places are community groups interested in preserving? What places do they use to preserve their stories? This project is interested in the narratives behind these choices. Read more

Crowd-sourcing Scoping Study

Principal Investigator: Dr Mark Hedges
2012

This project sought to establish a credible definition for, and the current state of the art of, crowd-sourcing in the humanities. Read more

Know Your Bristol On The Move

Principal Investigator: Professor Robert Bickers
2012

‘Know Your Bristol on the Move’ is a collaborative project between the University of Bristol, Bristol City Council and eight Bristol community groups. We conceive of ‘Bristol communities’ broadly as groupings of Bristol residents that come together around a place, interest, political claim or shared life experience. Read more

Mapping cinema experience as living knowledge across Italy’s generational divide

Principal Investigator: Daniela Treveri Gennari
From 2017 to 2018

This project will create innovative engagement and impact activities with different generations of Italian audiences, building on resources and activities created by the AHRC-funded “Lost Italian Cinema Audiences” project (ICA), 2013-2016. Read more

Historicising and reconnecting rural community: Black presences and the legacies of slavery and colonialism in rural Britain, c.1600-1939

Principal Investigator: Dr Susanne Seymour, School of Geography, University of Nottingham
From 2012 to 2013

The project entitled ‘Historicising and reconnecting rural community: Black presences and the legacies of slavery and colonialism in rural Britain, c.1600-1939’ involved both scoping and outreach activities. It ran from February 2012 to October 2013. Dr Lowri Jones worked with Susanne Seymour on the project. Read more

Community music: history and current practice, its constructions of ‘community’, digital turns and future soundings

Principal Investigator: Prof George McKay (University of Salford)
2011

The UK has been a pivotal national player within the development of community music practice. In the UK community music developed broadly from the 1960s and had a significant burgeoning period in the 1980s. Community music nationally and internationally has gone on to build a set of practices, a repertoire, an infrastructure of organisations, qualifications and career paths. Read more

Creative participation

Principal Investigator: Antonia Layard (University of Birmingham)
From 2011 to 2012

Creative Participation was a project funded by the Arts and Humanities Research Council as part of its Connected Communities programme in 2011-12. The project explored how three ‘pioneer communities’ in Newcastle, Cumbria and Bristol use creativity to involve themselves in place-making and planning practices after initial struggles to have a voice in the process. Read more

Cultural intermediation: connecting communities in the creative urban economy

Principal Investigator: Dr Phil Jones (University of Birmingham)
From 2012 to 2016

Cultural intermediation is a set of processes that seek to get people involved in activities within the creative and cultural economy. This can encompass a wide range of activities from poetry coaching through training people with new IT skills, to outreach activities by a local museum. Read more