Creative & Digital

What is the role of communities in stimulating creativity and innovation, particularly in the UK’s rapidly growing creative and digital economies?
 

Creative communities in art & design since the 1960s: lessons for socio-economic regeneration in a globalized world

Principal Investigator: Professor Jonathan Harris (University of Southampton)
From 2012 to 2018

A seven year doctoral research programme bringing together Winchester School of Art and Tate Liverpool. Four PhD students are examining the creative art and design communities associated with and generated by pop culture in Britain and its many legacies since the 1960s. Read more

Co-Curate North East

Principal Investigator: Eric Cross, Newcastle University
From 2013 to 2015

Co-Curate NE responds to demand from schools and community groups within the North East to access and enhance knowledge from a broad range of museum collections and archives. Schools and community groups are often unable to access physical collections and archives because of distance or because demand for physical visits outstrips the capacity of the museum/archive. Read more

The Ethno-ornithology World Archive – EWA

Principal Investigator: Dr Andrew G. Gosler, University Research Lecturer in Ornithology & Conservation, Oxford University
From 2013 to 2015

Birds inspire people, their cultures, and their faiths, whilst also acting as important environmental indicators. Many people possess knowledge of birds that is rooted in a cultural, rather than in a scientific, context. This knowledge is largely undocumented, but is no less valid than scientific knowledge. Read more

Writing our history: Digging our past

Principal Investigator: Professor Elizabeth Harvey (University of Nottingham)
2012

Uncovering relics from the past or charting the heritage of a local community can be a painstaking and frustrating process for the amateur historian or archaeologist, often hampered by limited time and funding. Read more

Transmitting musical heritage

Principal Investigator: Dr Kate Pahl (University of Sheffield)
From 2013 to 2014

Music is a cultural product of society, a sonic reflection of ideologies and behaviours – a performative heritage. When musical sound is transferred from player-to-player, or player-to-audience, we question what of this cultural meta-data travels with it, and how. Read more

Writing Our History and Digging Our Past: Phase 2

Principal Investigator: Dr Richard Gaunt (Nottingham University)
2013

In Phase 2 we are working with 14 groups and running a series of collaborative skills workshops ranging from recording oral testimony, using archives and preserving artefacts, to geophysical archaeological surveys. Read more

Diasporic film in communities: A scoping study of the relationship between screen culture, stakeholders and communities

Principal Investigator: Dr Sarita Malik, Brunel University
2012

The Diasporic Film in Communities project set out to critically examine the role of Diasporic film culture in Diasporic communities. A case study approach was used to explore how three postcolonial publics (African-Caribbean, Chinese and South Asian) mobilise around film, interface with cultural organisations and reflect on their significance as film communities. Read more