Methods & Theory

All projects are innovating with new ways of contributing academic and public expertise. This theme brings together the new theories and methods being developed.
 

Transmitting musical heritage

Principal Investigator: Dr Kate Pahl (University of Sheffield)
From 2013 to 2014

Music is a cultural product of society, a sonic reflection of ideologies and behaviours – a performative heritage. When musical sound is transferred from player-to-player, or player-to-audience, we question what of this cultural meta-data travels with it, and how. Read more

Writing our history: Digging our past

Principal Investigator: Professor Elizabeth Harvey (University of Nottingham)
2012

Uncovering relics from the past or charting the heritage of a local community can be a painstaking and frustrating process for the amateur historian or archaeologist, often hampered by limited time and funding. Read more

Diasporic film in communities: A scoping study of the relationship between screen culture, stakeholders and communities

Principal Investigator: Dr Sarita Malik, Brunel University
2012

The Diasporic Film in Communities project set out to critically examine the role of Diasporic film culture in Diasporic communities. A case study approach was used to explore how three postcolonial publics (African-Caribbean, Chinese and South Asian) mobilise around film, interface with cultural organisations and reflect on their significance as film communities. Read more