Participatory Arts

The development of community arts and media and new ways of doing and thinking about practice in participation are focuses for projects that weave together the critical and creative in communities of culture.
 

On Shared Ground: Networks and Encounters around the Margins of Community Heritage

Principal Investigator: Dr Kimberley Marwood, University of Sheffield
2014

On Shared Ground examines the connected and disconnected networks of community participation in heritage research. By ‘disconnected’, we are referring to groups or individuals on the margins and edges of communities who have connections and relationships with a specific heritage landscape, but are not currently involved in the production of histories, narratives and discourses relating to those sites. Read more

Connected Communities: All Our Stories at the Science Museum

Principal Investigator: Annika Joy, Science Museum
From 2013 to 2014

The All our Stories project enabled the Science Museum Group to gain insights into the needs of community heritage groups and to develop services to assist them in their research. Investigating our collections through the different lens they provide illuminated new perspectives on our practices of collecting, classification and study. Read more

Music Communities

Principal Investigator: Dr Siobhan McAndrew, University of Manchester
From 2012 to 2013

Social networks are critical for the creation and consumption of music. The ‘Music Communities’ programme investigated the core concepts and tools of social network analysis, and how they apply to the study of music. Read more

Representing Communities: Developing the creative power of people to improve health and well-being

Principal Investigator: Prof Gareth Williams
From 2013 to 2017

The aim of this project is to establish how community representations produced through creative arts practices (e.g. story-telling, performance, visual art) can be used as forms of evidence to inform health-related policy and service development. This study will develop methods for using creative art forms as a mode of communication and knowledge exchange. Read more

In Harmony Liverpool Research Network

Principal Investigator: Kerry Wilson, Liverpool John Moores University
From 2012 to 2013

The In Harmony Liverpool Research Network brought together an international community of interest to consider and debate the impact and value of the In Harmony Liverpool programme, led by the Royal Liverpool Philharmonic (RLP). Read more

Alcohol and Performing Community: Mapping representations of binge drinking and community health

Principal Investigator: Dr Jane Milling
2011

Public and media concern over excessive episodic public drinking among young people, dubbed binge drinking, has increased since the 2000s (Nicholls 2009; Berridge, Herring, Thom 2009). Read more

In harmony Liverpool research network: exploring the cultural value of the orchestra as a community intervention

Principal Investigator: Mrs Kerry Wilson (Liverpool John Moores University)
2012

The In Harmony Liverpool Research Network brings together an international community of researchers to consider the cultural value of the orchestra as a community intervention, with a particular focus on the In Harmony Liverpool Programme. Read more

Dementia and imagination

Principal Investigator: Dr Gill Windle, Bangor University
From 2013 to 2016

The research explores how the vision for dementia supportive communities might benefit from creative activities. Read more

Starting from Values – Evaluating Intangible Legacies

Principal Investigator: Prof. Marie Harder, University of Brighton
From 2014 to 2015

The project brings together partners from the University of Brighton and two Connected Communities project: The Authority Research Network and Scaling-Up Co-Design. Read more

Creative participation

Principal Investigator: Antonia Layard (University of Birmingham)
From 2011 to 2012

Creative Participation was a project funded by the Arts and Humanities Research Council as part of its Connected Communities programme in 2011-12. The project explored how three ‘pioneer communities’ in Newcastle, Cumbria and Bristol use creativity to involve themselves in place-making and planning practices after initial struggles to have a voice in the process. Read more