Culture & Heritage

Projects in this theme build relationships between research groups in the arts and humanities and community groups and organisations exploring their local and regional cultures and heritage.
 

Preserving Place: A Cultural Mapping Exercise

Principal Investigator: Dr Karen Smyth, University of East Anglia
From 2014 to 2015

The project evaluates processes involved in community choice, use and attitude towards place. What places are community groups interested in preserving? What places do they use to preserve their stories? This project is interested in the narratives behind these choices. Read more

Architecture><Community

Principal Investigator: Dr. Lorens Holm, University of Dundee
2011

This scoping study looks at the role architecture plays in humanities research into the cohesion and/or disintegration of communities, and suggests areas for collaboration. Without prejudice to other disciplines we developed the architecture – psychoanalysis collaboration as a worked example. Read more

Creative communities, 1750-1830

Principal Investigator: Dr David Higgins (University of Leeds)
From 2013 to 2014

Focusing on historical case studies, this research network will examine how connections between members of a community, and between different communities, can enhance creativity. At the same time, it will subject those key terms to rigorous investigation. Read more

Maker-centric: building place-based, co-making communities

Principal Investigator: Fiona Hackney; F.Hackney@wlv.ac.uk
From 2016 to 2018

Maker-Centric is one of a series of participatory arts research projects across the UK that are funded by The Arts and Humanities Research Council’s (AHRC) Connected Communities programme. The project takes a material placed-based approach to engaging communities in speculative co-design. Read more

Historicising and reconnecting rural community: Black presences and the legacies of slavery and colonialism in rural Britain, c.1600-1939

Principal Investigator: Dr Susanne Seymour, School of Geography, University of Nottingham
From 2012 to 2013

The project entitled ‘Historicising and reconnecting rural community: Black presences and the legacies of slavery and colonialism in rural Britain, c.1600-1939’ involved both scoping and outreach activities. It ran from February 2012 to October 2013. Dr Lowri Jones worked with Susanne Seymour on the project. Read more

Understanding everyday participation – articulating cultural values

Principal Investigator: Dr Andrew Miles (University of Manchester)
2011

This project proposes a radical re-evaluation of the relationship between participation and cultural value. We are used to thinking about the benefits of the arts as a traditional way of understanding culture and its value but what about the meanings and stakes people attach to their hobbies and pastimes? Read more

Community music: history and current practice, its constructions of ‘community’, digital turns and future soundings

Principal Investigator: Prof George McKay (University of Salford)
2011

The UK has been a pivotal national player within the development of community music practice. In the UK community music developed broadly from the 1960s and had a significant burgeoning period in the 1980s. Community music nationally and internationally has gone on to build a set of practices, a repertoire, an infrastructure of organisations, qualifications and career paths. Read more

Co-producing legacy: What is the role of artists within Connected Communities projects?

Principal Investigator: Professor Kate Pahl University of Sheffield
From 2014 to 2015

This research project will explore how artists work within the AHRC Connected Communities programme. The programme has encouraged arts and humanities academics to work in different ways with communities to co-produce research across a range of disciplines. Many academics have worked with artists to realize ideas and help with a community engaged approach to research. Read more

Mapping cinema experience as living knowledge across Italy’s generational divide

Principal Investigator: Daniela Treveri Gennari
From 2017 to 2018

This project will create innovative engagement and impact activities with different generations of Italian audiences, building on resources and activities created by the AHRC-funded “Lost Italian Cinema Audiences” project (ICA), 2013-2016. Read more

Crowd- and Community-Fuelled Archaeological Research

Principal Investigator: Andrew Bevan
From 2013 to 2014

This project develops a web platform called MicroPasts where full-time academic researchers, volunteer archaeological and historical societies and other interested members of the public can collaborate together. It is a place where enthusiasts of any background can not only create high-quality research data together about our human history, but also collaboratively design and fund entirely new research projects. Read more